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<h2 class="artist_name">Nikos Alexiou</h2>
<p>Nikos Alexiou (1960, Rethymno, Crete - 25 February 2011, Athens) is a Greek artist who specialized in visual art, contemporary art, installation art and set design for theatre and dance. He exhibited his work at personal exhibitions and group events both in Greece and abroad. Alexiou lived in central Athens until his death from cancer at the age of 51.</p>
<p class="bio">In 1985, Alexiou held his first personal exhibition at "Desmos" Gallery in Athens. He used basic materials and those commonly found in nature such as rock, wood, mud and water. In 1987, Alexiou continued his experimentation with natural features by venturing into their decomposition. He created Prisms, a series of works which analyzes the projection of white light into different spaces, even through rain.[11] Alexiou later created Solar Houses, minimalistic constructions of cane and reeds which share a fragile feeling of absolute geometry. Alexiou said, he was creating "an imaginable garden pavilion". Other works in this genre include: San Marco di Venezia, The Gate, and Fountain.</p>
<p class="art_piece">
<h3 class="art_title">L.Says</h3>
<span class="year">2001</span><br/>
<span class="type">Interview</span> - <span class="size">30 minutes</span><br/>
<span class="description">An interview by Nikos Alexiou of Lyida Venieri</span>
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<h2 class="artist_name">Leonidas Chalepas</h2>
<p class="bio">
I was born in 1976 and I am a sculptor. I studied Sculpture and Architecture in Athens Greece, Athens School of Fine Arts and National Technical University of Athens, and got my MFA in Sculpture at Pratt Institute in Brooklyn New York on a Fulbright. I lived for one year in West Rutland Vermont, and currently I am back in Greece for the summer.
</p>
<p class="art_piece">
<h3 class="art_title">Aeroplane</h3>
<span class="year">2008</span><br/>
<span class="type">Sculpture</span> - <span class="size">117x88x55cm</span><br/>
<span class="description">The piece is made of painted steel. At the time that I made it, I was impressed by the colors of the deserted diesel engines in the scrapyards of Perama, Greece. Also, I have been influenced by global mass and pop culture, such as Flash Gordon comics. As a consumer, I love objects. I also like aeroplanes. The process that I followed as I created it consists of less or more chaotic moments and also of the structural idea of the "spare part".</span>
<p>
<p class="art_piece">
<h3 class="art_title">Archaic / antiCyclops</h3>
<span class="year">2008</span><br/>
<span class="type">Sculpture</span> - <span class="size">32x22x45cm</span><br/>
<span class="description">The piece is made of marble. It is inspired by the hair of Kouros and also by massage tools and sex toys. I like owls and when I made a model that preceded the marble version of it, I was also thinking of alpenhorns and of the muscular stratification of flesh.</span>
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<h2 class="artist_name">LYDIA DAMBASSINA</h2>
<p class="bio">
Lydia Dambassina was born in 1951 in Thessaloniki. At the age of 15 she moved to Paris to finish school. She studied Psychopathology and Pedagogy and at the School of Fine Arts of Grenoble. <br />Since 1976, Lydia Dambassina has been working with different mediums such as painting, photography, installations and video projections. <br /><br /> In 2004, Lydia Dambassina started working on a series of staged photographs in which the image co-exists with texts -mainly excerpts- from the greek and french daily newspapers. Her last work named Party’s over- Starts over is regarding the subject of debt. Amplifying news fragments into weighty ontological or existential gestures seems an efficient way to deal with all this tragic absurdity. Lydia Dambassina has participated in group exhibitions, having exhibited at the Museum of Contemporary Art (Thessaloniki), the Macedonian Museum of Contemporary Art (Thessaloniki), the Benaki Museum (Athens), the Hôpitaux Universitaires (Geneva), the Eglise de Saint-Eustache- Nuit Blanche (Paris), the Kunsthalle Athena (Athens), the Center of Contemporary Art (Thessaloniki), and the Alex Mylona Museum (Athens).
</p>
<p class="art_piece">
<h3 class="art_title">THE GREATEST DESIREE</h3>
<span class="year">2013</span><br/>
<span class="type">video </span> - <span class="size">3'17''</span><br/>
<span class="description">THE GREATEST DESIRE In this difficult situation that Greece is in, I wanted to find out what people in this country desire the most. The answers varied and were all interesting. Out of the 54 interviews I did, I only kept one, where a man with the most dynamic and radical opinion says that “what I desire the most, is to see this civilization razed” and then the film ends with the following phrase “Homeland melancholy after the 8 o’clock news”. This video is part of my work called Party’s over – starts over, through which I examine the different aspects of the crisis -economic, social and normative- that has hit Greece and expanded in Europe. Music/Song by Joachim Latarjet / Alexandra Fleischer © LYDIA DAMBASSINA</span>
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